Reaves - Eye Shine

Eye Shine

2016

oil and acrylic on canvas

71.75 x 67.5 inches

Reaves - Influence Peddler

Influence Peddler

2016

acrylic on canvas

71.75 x 71.75 inches

Reaves - Lapsed Pruning

Lapsed Pruning

2016

oil and acrylic on canvas

71.75 x 67.5 inches

Reaves - Rigorous Devotion

Rigorous Devotion

2016

oil and acrylic on canvas

71.75 x 71.75 inches

Reaves - Pantomime Gesture #1

Pantomime Gesture #1

2016

acrylic on canvas

48 x 24 inches

Reaves - Pantomime Gesture #2

Pantomime Gesture #2

2016

acrylic on canvas

48 x 24 inches

Reaves - Pantomime Gesture #3

Pantomime Gesture #3

2016

acrylic on canvas

48 x 24 inches

Reaves - Apple Stacker

Apple Stacker

2016

acrylic on canvas on panel

24 x 24 inches

Reaves - Head #1

Head #1

2016

xerox toner to digital print

62.5 x 44 inches

Reaves - Head #2

Head #2

2016

xerox toner to digital print

62.5 x 44 inches

Reaves - Head #3

Head #3

2016

xerox toner to digital print

62.5 x 44 inches

Reaves - Head #4

Head #4

2016

xerox toner to digital print

62..5 x 44 inches

Reaves - Head #5

Head #5

2016

xerox toner to digital print

62.5 x 44 inches

Reaves - Gray Head

Gray Head

2016

oil on canvas

16 x 15 inches

Reaves - Thalo Head

Thalo Head

2016

acrylic on canvas on panel

16 x 15 inches

Reaves - Sapphire Head #1

Sapphire Head #1

2016

acrylic on canvas on board

16 x 12 inches

Reaves - Sapphire Head #2

Sapphire Head #2

2016

acrylic on canvas on board

16 x 12 inches

Reaves - Sapphire Head #3

Sapphire Head #3

2016

acrylic on canvas on board

12 x 12 inches

Press Release

Gestural Structures: Cognitive Shimmers alludes to Jan Reaves' process as an artist. Her latest exhibition presents subtly color-rich paintings made with expressive strokes and layers, as well as a series of monochrome images made using printer toner, suggesting portraits or totems. Reaves explains that “(m)y work searches for what is elemental in an experience. The sheer joy in the quiet act of observation and speculation feeds and propels my work in the studio. The paintings and drawings explore ideas about the body and the natural world through the language of gesture and materiality.… A cognitive shimmer happens when the image triggers a memory or recognition in the viewer. This shimmer occurs just prior to understanding, distinct from the comprehension that we associate with naming. To name is to fix our understanding. I would like to momentarily suspend the viewer between the “recognition” and the 'fixing'."  Seeing Reaves' work in person takes viewers close to the process of painting, and the places of memory and imagination that trigger familiarity and wonder.

Northwest artist, Jan Reaves received her MFA from the University of Oregon in 1983. She has taught art throughout the Northwest and is currently on the faculty of the University of Oregon.  Reaves has shown her work over the past four decades in numerous group exhibitions regionally and nationally, including exhibitions at the Portland Art Museum, OR, The Art Gym, Marylhurst College, OR, The Seattle Art Museum, WA; Western Michigan University, Kalamazoo, MI; St. John's University, Jamaica, NY; San Jose Institute of Contemporary Art, CA, and others. In recent years she was included in The Long Now at the Jordan Schnitzer Museum of Art, University of Oregon, and in Landscape a contemporary survey of regional painters at Linfield College, McMinnville, OR.   Reaves has won various awards including the Juror's award for the 2001 Oregon Biennial at the Portland Art Museum, and purchase awards from the Oregon Arts Commission, the Regional Arts & Culture Council, Portland, OR, and the Oregon Health & Sciences University, Portland, OR.