Abbott installation view May 2017

Installation View | May 2017

Abbott installation view May 2017

Installation View | May 2017

Abbott installation view May 2017

Installation View | May 2017

Abbott installation view May 2017

Installation View | May 2017

Abbott installation view May 2017

Installation View | May 2017

Abbott installation view May 2017

Installation View | May 2017

Abbott-Bloodlands 1

Bloodlands 1

2017

charcoal on paper

48.5 x 33.5 inches framed

Abbott - Bloodlands  2

Bloodlands 2

2017

charcoal on paper

48.5 x 64.5 inches framed

Abbott - Bloodlands 3

Bloodlands 3

2017

charcoal on paper

48.5 x 64.5 inches framed

Abbott - Root of the Mountain 1

Root of the Mountain 1

2017

charcoal on paper

33.5 x 25 inches

Abbott - Root of the Mountain 2

Root of the Mountain 2

2017

charcoal on paper

33.5 x 25 inches framed

Abbott - Root of the Mountain 3

Root of the Mountain 3

2017

charcoal on paper

33.5 x 25 inches framed

Abbott - Iluvatar

Nightfall On Middle Earth: Ilúvatar

2017

charcoal on paper

48.5 x 33.5 inches framed

Abbott - Nightfall on Middle Earth: Imladris

Nightfall on Middle Earth: Imladris

2017

charcoal on paper

49 x 34 inches

Abbott - Dunharrow

Nightfall on Middle Earth: Dunharrow

2017

charcoal on paper

33.5 x 48.5 inches

Abbott - EthirAnduin

Nightfall on Middle Earth: Ethir Anduin

2017

charcoal on paper

33.5 x 48.5 inches framed

Abbott - Caradhras

Nightfall on Middle Earth: Caradhras

2017

charcoal on paper

48.5 x 33.5 inches

Press Release

We are pleased to present Amory Abbott’s Bloodlands, his first solo show at Russo Lee Gallery. Using charcoal on paper, Abbott explores the thematic commonalities between Gothic Romanticism, fantasy, Black Metal, and Dark Ecology. In this exhibition, the artist also connects with his recently discovered Scandinavian heritage, creating work that references Norse mythology, Viking sagas and mysterious fjords and archipelagos. These complex works on paper are melancholy wanderings through enchanted lands full of wonder, isolation, and ruin. They are persistently seeking the sublime, in the midst of seemingly overwhelming natural circumstances.

Amory Abbott uses charcoal to create large-scale drawings of craggy and forested landscapes that seem to be shifting and falling in space. He seeks to give viewers a sense of how the world might one day change in catastrophic and unfamiliar ways, but in so doing, creates drawings of great beauty and wonder.

Abbott was born in Indiana, received his BFA from the Herron School of Art & Design in Indianapolis, and his MFA from Pacific Northwest College of Art in Portland, OR. His work has been exhibited Portland, OR and Indianapolis, IN.