
Heather Lee Birdsong
Sisters (Forgetting and Remembering), 2026
flashe paint on translucent Yupo (recto and verso)
33 1/8 x 27 1/8 inches framed
Heather Lee Birdsong
Immediate Immensity, 2024
matte vinyl paint on translucent polypropylene
19 x 16 inches framed
Heather Lee Birdsong
Memory isn't content to hurt you once, 2026
gouache and flashe paint on hot pressed paper
31 1/8 x 25 1/8 inches framed
Michael Brophy
Machine (in 6 parts), 2026
oil on canvas
31 x 36 inches ea.
Louis Bunce
Untitled (Still Life LR06), 1941
watercolor, gouache on paper
18 x 13.5 inches
Louis Bunce
Untitled (dotted abstract), 1957
gouache on paper
27.5 x 34 inches framed
Louis Bunce
Untitled Portrait (NYC), 1941
gouache, ink, on card
15.5 x 13 inches framed
Ka'ila Farrell-Smith
Ghosts in the Machine 021, 2022-2023
Northern Paiute lithium top soil, acrylics. aerosols. graphite on stretched canvas
72 x 36 inches
Ka'ila Farrell-Smith
Ghosts in the Machine 017, 2022-2023
Northern Paiute lithium top soil, acrylics, aerosols, and graphite on panel
14 x 11 inches
Ka'ila Farrell-Smith
Ghosts in the Machine 009, 2022-2023
Northern Paiute lithium top soil, acrylics, aerosols, and graphite on panel
14 x 11 inches
Dan Gluibizzi
The Tower, 2025
acrylic, gouache, and colored pencil on paper
18.5 x 14 inches framed
Dan Gluibizzi
Flow, 2025
acrylic and gouache on paper
22.25 x 18.25 inches framed
Dan Gluibizzi
Keeping house, 2026
acrylic and colored pencil mounted to canvas
60 x 72 inches framed
Sally Haley
Untitled (Window), 1961
oil on canvas
35.5 x 29.5 inches
Sally Haley
Untitled (Women at Window), ca. 1933
egg tempera on wood panel
18 x 19 inches framed
Sally Haley
Untitled (Still Life with Squash), ca. 1935
egg tempera on wood panel
18 x 25 inches framed
Sally Haley
Untitled (green onions), ca. 1970s
acrylic on canvas
19 x 27.5 inches framed
James Lee Hansen
Heady Study BL 02/11 (H54.02), 1996
cast bronze
9 x 5 x 3.5 inches
James Lee Hansen
Moonrigger (SP11), 1980
bronze
10.5 x 10.25 x 4.75 inches
James Lee Hansen
Sun Plum (L34), 1982
bronze
6 x 6 x 4.5 inches
James Lee Hansen
Glyph Singer Study GSX5 (R52), 1996
cast bronze
9.75 x 5.5 x 3.5 inches
James Lee Hansen
Ritual Study (R50), 1996
cast bronze
9.75 x 3.75 x 4 inches
Manuel Izquierdo
Untitled (warrior with tall shield), 1957
welded steel with integral base
28 x 14 x 12 inches
Lisa Jarrett
Migration Studies, Beauty Supply (No. 101), 2023
mixed media, kanekalon hair woven into pigment print and Kozo paper, acrylic
10.75 x 8.75 inches
Lisa Jarrett
Migration Studies, Beauty Supply (No. 100), 2023
mixed media, kanekalon hair woven into pigment print and Kozo paper, acrylic
10.75 x 8.75 inches
Lisa Jarrett
Migration Studies, Beauty Supply (No. 98), 2023
mixed media, kanekalon hair woven into pigment print and Kozo paper, acrylic
10.75 x 8.75 inches
Lisa Jarrett
Migration Studies, Beauty Supply (No. 105), 2023
mixed media, kanekalon hair woven into pigment print and Kozo paper, acrylic
10.75 x 8.75 inches
Lisa Jarrett
Migration Studies, Beauty Supply (No. 99), 2023
mixed media, kanekalon hair woven into pigment print and Kozo paper, acrylic
10.75 x 8.75 inches
Hilda Morris
Untitled (Goat with Long Horns)
cement over wire armature
20.75 x 22 x 17.75 inches (sculpture only)
22.25 x 22 x 17.75 inches (sculpture with base)
Hilda Morris
Sea Leaf
cast bronze
29.25 x 2.5 x 3 inches (sculpture only)
31 x 6 x 5.25 inches (sculpture with base)
Hilda Morris
Myth of the Sea (Maquette)
cast bronze
14.25 x 11.75 x4 inches (sculpture only)
15.25 x 11.75 x7 inches (sculpture with base)
Lucinda Parker
Gerassi's Gully, 1974
acrylic and rhoplex on canvas
61 x 61 inches
Lucinda Parker
Prima Vera, 1992
acrylic on canvas
49.5 x 38.5 inches framed
Lucinda Parker
Lapstrake, 2013
acrylic on canvas
24 x 21 inches
Lucinda Parker
Round Belongings, 2002
acrylic on canvas
84 x 42 inches framed
Lucinda Parker
Tipsy Sprigs in Snow, 2020
acrylic on canvas
29 x 21 inches framed
Michele Russo
MR261 Untitled (Shadow Nude)
acrylic on canvas
58 x 50 inches
Michele Russo
Untitled Drawing, 1973
ink, wash on rice paper
19.5 x 16 inches framed
Michele Russo
Untitled Drawing #2 (December 1980), 1980
ink on paper
19 x 15 inches framed
Michele Russo
MR267 Bullfighter’s Eye
acrylic on canvas
58 x 50 inches
Dirk Staschke
Cakes and Candles, 2024
ceramic and wood
16 x 13 x 3 inches
Dirk Staschke
Flux 10, 2018
ceramic and wood
34 x 27 x 2 inches
Dirk Staschke
Vanitas Vase 17, 2025
ceramic
17 x 10 x 10 inches
Eric Stotik
Untitled LR395 (Blue bird), 2024
acrylic on metal
6.5 x 4.25 inches
Eric Stotik
Untitled LR394 (Foliage over blue background), 2024
acrylic on paper
19.25 x 15 inches framed
Eric Stotik
Untitled LR397 (Two figures with red scarves), 2024
acrylic on paper
18.75 x 14.75 inches framed
Eric Stotik
Untitled LR341 (Figure in blue), 2024
acrylic on paper
18.75 x 14.75 inches framed
Whiting Tennis
Entryway, 2014
collage on paper
14 x 11 inches framed
Whiting Tennis
Brown Tower, 2009
acrylic on panel
32 x 23 inches
Whiting Tennis
White Knight, 2010
cast plaster
18 x 6 x 7 inches
Whiting Tennis
Owl 2800 — 2600 B.C., 2025
cast white cement, sand, pigment
21 x 14 x 3 inches
Whiting Tennis
Mazama Site #2, 2001
acrylic and collage on canvas
24 x 34 inches
Samantha Yun Wall
Second Sight, 2017
graphite and conté crayon on paper
79 x 61.5 inches framed
Samantha Yun Wall (b. 1977)
Diaspore No. 13, 2025
ink and conte crayon on clayboard
20 x 16 x 1.5 inches
Gina Wilson
2 Vases, 2025
ceramic
12 x 4.25 inches and 7.5 x 5.5 inches
Gina Wilson
Shell, 2025
ceramic
7.25 x 5.25 inches
Gina Wilson
Reverie, 2025
ceramic
11 x 3.5 inches
Sherrie Wolf
Tulips at Niagara, 2026
oil on canvas
60 x 48 inches
Sherrie Wolf
Black Hat, 2025
oil on canvas
12 x 12 inches
Sherrie Wolf
Purple Pepper II, 2021
oil on canvas
12 x 12 inches
Sherrie Wolf
Brogues #6, 2025
oil on canvas
12 x 12 inches
Sherrie Wolf
Cabbage with Tangerine, 2023
oil on canvas
12 x 12 inches
Sherrie Wolf
Necktie #1, 2025
oil on canvas
12 x 12 inches
Sherrie Wolf
Black Tie, 2025
oil on canvas
10 x 10 inches
Sherrie Wolf
A Peach, 2022
oil on canvas
10 x 10 inches unframed
Russo Lee Gallery presents A EYE — Curated by Artistic Intelligence, an exhibition guest-curated by acclaimed designer, architect, and art collector John Hoke III. Hoke will also appear as the featured speaker for PADA Talk, an ongoing series of conversations at the intersection of art, design, and ideas.
A EYE invites viewers to reconsider what A.I. can mean in the context of contemporary art—not as a replacement for the human hand, but as a means of sharpening a deep human point of view. Hoke’s curation is built on three guiding prompts—Artistic Inspiration, Artist Intention, and Artful Intersection—that he developed as a personal, human framework for selecting works that champion imagination, emotion, and craft. In his curatorial statement, Hoke writes: “Art keeps us human. Helping us to see, think, question and feel. This show invites us to rethink and redefine A.I. To go beyond artificiality and embrace the uniquely human experience of seeing, feeling and experiencing—human made art.”
Selected entirely from Russo Lee Gallery’s roster of artists, the artworks on view are Hoke’s own curation. The exhibition brings together artists whose work speaks to shared, universal truths of the human experience. It is a celebration of art as a vital way of staying connected to ideas, emotion, and beauty in an increasingly automated world.
Exhibiting Artists:
Jay Backstrand, Heather Lee Birdsong, Louis Bunce, Michael Brophy, Ka’ila Farrell-Smith, Dan Gluibizzi, Sally Haley, James Lee Hansen, Manuel Izquierdo, Lisa Jarrett, Hilda Morris, Lucinda Parker, Michele Russo, Dirk Staschke, Eric Stotik, Whiting Tennis, Samantha Yun Wall, Gina Wilson, and Sherrie Wolf.
About the Curator:
John Hoke III is an internationally recognized designer, architect, and art collector. He currently serves as Chairman of the Board for MillerKnoll, Board Director for Target, Inc. and as a Senior Advisor to Piaggio Fast Forward. Hoke spent 33 years at Nike, where he most recently served as the company’s first Chief Innovation Officer and first Chief Design Officer. He holds architecture degrees from Penn State and the University of Pennsylvania, and an SEP MBA from Stanford. Hoke serves on the Dean’s Circle of Advisors for Penn State’s College of Arts and Architecture. He lives between Portland and Bend, Oregon, with his wife and their corgi, June.
PADA Talk—An Evening with John Hoke III:
In conjunction with the exhibition, Hoke will speak as part of PADA Talk, sharing his visionary perspective on the power of art and the evolving dialogue between contemporary art, design, creative expression, and technology.
Please RSVP for this event by emailing gallery@russoleegallery.com.
